I advise you to keep your writer’s notebook handy when you’re reading, because you want it right there when inspiration strikes, and if you’re a writer and a reader, odds are you’re most likely to be the receiver of the inspiration fairy when you’re reading.
Some people are probably feeling some low level panic right now. “But I don’t want to steal someone’s ideas! I don’t wanna be a copy cat!”
Okay, I hear you. I used to worry about the exact same thing. I’d worry about “stealing” ideas or of being “too influenced” by a particular author or book.
My short response, dear hearts, is this: don’t worry about it.
There are two aspects to this pressing concern: the practical side and the intellectual/moral side.
On the practical side, ideas change so much from conception to final product that the original idea will most likely be unrecognizable. I, for one, find it highly unlikely that you’ll be able to recognizably replicate the book that inspired you.
On the moral side, I find it admirable that you place emphasis on originality and responsibility for your own ideas. As writers, we’re bred to seek after the previously unexplored. We’re expected to unearth the buried.
On the practical side, this expectation of Absolute Originality is unreasonable, because even in Biblical times, there wasn’t anything new under the sun. And, paradoxically, anything you generate will be original anyway (at the very least in execution) because it came from you and not anyone else.
On the moral side, I think the emphasis ought to be placed on authenticity. Instead of the aesthetic details of your world or your characters or your magical system, consider them vessels for your personal meaning. Because without something Deeper, the aesthetic will be empty and essentially meaningless.
On the practical side, you are a human being, which means you are graced with the remarkable ability to discern minuscule details from one another. So consider this difference:
- I like this idea of two mismatched eyes, one totally black, the other normal, and how it signifies they have blood magic that can transport them between worlds.
- I like this idea of wands. I’ll do something with wands.
I’ll bet–and I’m confident that I’ll win this bet–that you are able to discern the degree to which these two thought processes are different. The first example is very specific to the world and plot of the story from which it came (A Darker Shade of Magic by V.E. Schwab). The second example, however, is a general concept that could apply to any number of stories, including my current WiP.
I would personally consider the first example worrisome and yes, edging too close to the idea of “copying.” I don’t think there’s anything wrong with the second example, though, because it leaves the limitless question of, “What about wands?” hanging in the air, leaving you to answer it however you please.
On the moral side, you probably want to continue to grow as a writer and a creator. So I urge you to ask yourself this question when you come across something shiny that catches your eye: “What more can I do with this? What else is there to explore with this idea?”
On the practical side, writing down the spinoff inspired by the story you’re reading in no way commits you to doing anything with that idea. You’re a writer. Like magpies and ravens, we collect shiny things to add to our hoards. It’s a Thing.
I’ll leave you with this.
I’ve found that the more confident I became in my own writing and storytelling abilities, the less I coveted the ideas I found in published works. This tells me that the problem does not lie in the copying itself, but of the lack of confidence that causes it. Instead of worrying about being a copy cat, consider instead your confidence in yourself. The more confident you become in yourself, the less demand you will feel to claim someone else’s work as your own.